As the turn of the century
approached, the world was becoming more one place, not a lot of places that
could have nothing to do with one another. As this change was coming into
being, the world wanted to showcase this possibility of community with one
another. This led to a long series of what were known as World’s Fairs. The World’s
Fairs were a gathering and a showcase of what each nation had accomplished in
the worlds of technology and architecture, mostly.
This was a time of great
experimentation in the world of architecture. The architects that were commissioned
to do the work for the World’s Fairs knew that whatever they built was going to
be temporary for the use of the Fair, and that it would come back down once it
was over. Since it was going to come back down, it didn’t need to be a
permanent structure. In the realms of commodity, firmness, and delight, it
really only needed to fulfill delight, and a little bit of commodity. Firmness was,
at this point in the game, obsolete.
Since they could build with no
holds barred, it left a desire to see these buildings actually be constructed
and useful. As technology caught up, more of these types of buildings were
being seen.
As we were really pushing the
limits of commodity, firmness, and delight, we also discovered the need for
what came to be known as “good design for all.” For design to be good for all,
there had to be a lot that lined up. And it did. Technology and materials were
up to the challenge, and the architects were also.
Skyscrapers became something that
were possible, and as technology progressed, they got taller and taller. This really
made good design for all a great possibility – apartment homes were built that
had communities within them so that the habitants didn’t even have to go
anywhere to get anything that they needed. This became a more and more common
concept as it spread into places of business as well.
The scale of everything that was
being built continued to grow, and as the scale grew, so did the scope. People,
and designers of places that people were, were beginning to go global. This
globalization made trade more possible, it made the world more of a place of
one, rather than a place of many that could only somewhat interact. As technology
became more and more advanced, it allowed for improved communications, and
design was a conversation that was had almost as commonly as trade around the
world.
All of what has happened in the
past century, however, is somewhat muddled. It isn’t exactly clear whether or
not it is modernism, postmodernism, or some other form thereof. We have come
back to the beginning of design – who does it? Why is it done? What is it
useful for? Why is it useful? All of these things are things that are very
important to the conversation, but they ultimately only define where we are, a
place that we only know too well, as we are here.